Cover of the Week: Atom & Hawkman #40

May 14th, 2008

Atom and Hawkman #40

Atom and Hawkman #40, January 1969

Had a great time at the Bristol convention at the weekend picking up a load of cheap Silver Age comics. While I have no particular fondness for either Atom or Hawkman, I had to buy this issue as soon as I saw it. What a great cover! Joe Kubert, the visual creator of Hawkman, turns in a stunning piece of work. And, what’s more, the backup Hawkman story within is also pencilled by him, and inked by Murphy Anderson. That’s right, the two premier Hawkman illustrators together! Lovely.

Stumbling across little hidden gems like this is part of what makes comics collecting so satisfying a hobby.

©2008 DC Comics

Korak the killer youth?

May 8th, 2008

Korak advert

Staying with the theme, here’s an ad from exactly the same month enticing us to go and buy the adventures of Korak.

Korak, is, of course, Tarzan’s son. Now, now, madam, calm down at the back there. No, “Boy” is what Tarzan’s son was called in the movies. And don’t even get me stated on “Jai”…

I love these ads. The 1/3 page given over to them in most DC comics from the early days of comics, right up to the mid-70s, was space well-used, to my mind. They sell, sell, sell, and make their wares seem oh so enticing. What kid wouldn’t want to rush out to read the adventures of a jungle lad batting “primitive mongols in the 20th century”? I know I would — and I bet Rob would too!

You also have to love that prime example of comics’ wacky dating practices: the Dec/Jan issue, “on sale Sept. 13″! Wow, talk about lead time.

©2008 DC Comics/ERB

Tarzan Limited

May 6th, 2008

Tarzan advert

Advertising the first of two Tarzan tabloids in 1973, and helpfully pointing out that it’s bigger than a regular comic. Both volumes are well worth seeking out actually. Joe Kubert was absolutely at the top of his game on the Tarzan comic, and it was a dream project for him. Amongst many new jungle stories, Kubert adapted several of Burroughs’s original novels and short stories.

The tabloid avertised here was C-22, which is an adaptation of the first Tarzan novel — his origin, if you like — while the second, C-29, adapted the sequel. One of the great missed opportunities of the tabloids was not releasing Kubert’s third novel adaptation, Tarzan and the Lion Man, in the format.

I don’t know that the tabloids were actually all that “limited”, they’re not terribly difficult to get hold of these days. But it makes for a good ad line, I guess.

©2008 DC Comics/ERB

Strange…

May 3rd, 2008

Strange Adventures #231

Strange Adventures #231, July-August 1971

You think it’s not fun when a bird drops a little unwanted gift on your head? Well, thank your lucky stars this cover doesn’t represent reality! Imagine being dumped on by a giant flying gorilla!! As the tag line of a well-known 50s sci-fi movie exclaimed, “Keep watching the skies!”

Sid Greene drew this image, but the mastermind behind it is — as ever — Julie Schwartz, a man driven by the idea that a gorilla on a cover delivered guaranteed sales.

Cover of the Week: Showcase #3

April 29th, 2008

Showcase #3

Showcase #3, July/August 1956

Here’s a nice — not to mention early! — example of one of the greytone covers DC was experimenting with in the late ’50s. DC production chief Jack Adler added colour wash to the tonal pencil work of Jerry Grandenetti, to produce a lovely effect.

The early issues of Showcase are pretty interesting, in a not-really-all-that-interesting kind of way. The first issue featured the adventures of a fireman, #2 was about fun and frolics in the great outdoors, and #3, this one, was about frogmen (as opposed to Frog Men, which woulda been an entirely different kettle of fish). Exciting stuff, eh? Thankfully, the editorship passed to Julie Schwartz for the next issue, and he figured it was about time super-heroes made a comeback. The Flash was revived, and the rest is history.

Cover ©2008 DC Comics

Showcase

April 23rd, 2008

DC’s marvelous Showcase Presents volumes are a cheap and easy way to read lots of great old comics. Twenty or thirty comics for less than $20? That’s a deal and a half. I’m trying out one of these new-fangled widget things, so here are some of my top picks from the Showcase range.

Shazam! #1

April 22nd, 2008

Shazam #1

Shazam! #1, February 1973

A certain “Mr Binder” is surprised to meet Billy Batson on the street. It seems Billy has been missing for twenty years — but hasn’t aged a day! “I must be flipping my gourd!” exclaims Binder as he staggers away, leaving Billy to recount the origin of his alter ego.

A mysterious stranger beckons the homeless Billy into an abandoned subway station — and he follows (hey! — it was a more innocent time!). There, a brightly-decorated train appears and sweeps the pair away. At the end of the line, there is an ancient underground hall that contains carved statues of the Seven Deadly Enemies of Man. There’s also an old guy with long white hair and beard looking a little like Willy Nelson. He explains his name is Shazam and that Billy is to be his successor. Billy repeats the old man’s name and is transformed by a bolt of lightning into Captain Marvel.

With that, a thread breaks, and a huge stone block falls, killing Shazam instantly! “Holy Moley!” shouts Cap, seemingly not that concerned that a pensioner has just been crushed to death right in front of his eyes.

Coming out of his reverie, Billy changes to Captain Marvel and stops a couple of hoodlums. He’s recognized and the townspeople want to know where he’s been for the last twenty years. Cap casts his mind back and remembers a day when he, Captain Marvel Junior and Mary Marvel, along with a fair few other folk, were transported into a spaceship by arch villain Dr Sivana.

Sealed in a huge bubble of Suspendium, those kidnapped are left to spend eternity in suspended animation. However, Sivana’s ship goes out of control and also ends up trapped in the bubble. Two decades pass, as the bubble orbits ever closer to the sun. One day the Suspendium begins to evaporate and Captain Marvel awakes. He is quickly able to free Junior and Mary, and all three return the townsfolk to Earth — all unaware that twenty years have passed.

Cap tracks down Dr Sivana and his family and everyone has a good chuckle as the baddies are carted off to jail.

0-0-0-0

DC had forced rival publisher Fawcett out of the comics market in 1953 following years of legal battles over the supposed similarity between Superman and Captain Marvel. Twenty years later, and ever on the lookout for a much-needed hit, DC publisher Carmine Infantino bought the long-defunct Fawcett characters and quickly set about getting Cap back into print. In his heyday Captain Marvel had outsold Superman by a respectable margin, and hopes were high that the Big Red Cheese could be just what the doctor ordered in DC’s current sales battle with the upstart Marvel Comics.

Sadly, it wasn’t to be.

This is undeniably slight stuff. The original Captain Marvel stories were always rather undemanding, but even they weren’t quite this undemanding! Denny O’Neill seems to have written this in his sleep. Original Cap artist CC Beck turns in a lovely art job, but even he can’t do much with the material. He allegedly became ever more unhappy with the scripts as time went on, until he finally refused to do any more.

Interesting use of marketing on the cover: Superman doesn’t actually appear in the comic at all, nor is he even so much as mentioned. Indeed, later on, it came to pass that all Captain Marvel stories took place on Earth S, well away from the established DC Universe. While CC Beck drew the Billy and Cap figures, Nick Cardy drew Superman.

In addition to the story outlined above, this premier issue also features a Golden Age Cap reprint from 1946, with art by Pete Costanza. It is, not surprisingly, superior to the new material.

The “Mr Binder” who appears right at the start of the story is, of course, a tribute to major Marvel Family writer, and Mary Marvel’s co-creator, Otto Binder.

Cover ©2008 DC Comics

The Wants List

April 13th, 2008

Fired up Excel this afternoon and began to compile a proper ‘wants’ list. Like most comics fans I always carry a list around with me just in case I ever find myself in a position to buy a few back issues. However, that list, tatty as it now is, has never been particularly complete — many is the time that I’ve pulled it out to check the status of a tasty-looking comic I’ve pulled out of the back issue bin, only to find no mention of the title.

It’s frustrating. If you buy the comic, you’ll get home to find you already have it; if you don’t, you find it’s the one that would have completed a run. The life of a completist is a tough one!

Anyway, I’ve started doing the research to compile my ultimate wants list. I currently have three collecting goals, as well as wanting to complete a few runs. For the latter, that means the 10 outstanding issues I need for a complete set of Lois Lane. Once that’s done, I’ll move on to fill in the gaps in my Jimmy Olsen collection. Then there’s gaps in my Avengers collection…

The three main goals, and what I’ll be concentrating on over the next few years are:

Every DC comic published between 1970 and 1976. Essentially, everything DC did when Carmine Infantino was the head honcho. It was a very exciting time for DC, with Carmine experimenting with all kind of new formats. Mind you, finding the details of every comic within those parameters is taking some doing!

Superman #245

The second goal is a subset of that: Every DC 100-Page comic. I’ll probably focus on getting those first. They’re such wonderful comics, big and chunky in your hands, and full of surprises.

Thirdly, and more expensively, I’m after all the DC Jack Adler covers. Also known as ‘grey tone’ covers, these were something that DC was trying out in the late-1950s/early 1960s. Under the auspices of DC production boss Adler, the covers were initially completed as tonal pencil art to which Adler then added subtle watercolours, producing a very effective result. The best of them are extremely striking.

Sea Devils #13

I already have quite a few of the DC comics, so I’m well on the way there. DC 100-pagers, I have around 30 0ut of more than 100. The Jack Adler covers I’ve only just started with, and it’s proving a challenge to even find a list of them!

Wish me luck…

Covers ©2008 DC Comics

The Great One

April 9th, 2008

Kirby advert

In 1970 Jack Kirby shocked the comics world by suddenly quitting Marvel Comics. DC had acquired his services with a record-busting deal agreed by editorial director Carmine Infantino. Naturally enough DC was excited and trumpeted his arrival long and loud: was any previous artist afforded a similar advertising campaign? “The Great One is Coming!” proclaims this great full page ad from July 1970 — a full three months before Kirby’s first comic for DC (Jimmy Olsen #133) appeared on the stands! In the months ahead smaller ads cried out, “Kirby is Coming!” and, finally, “Kirby is Here!”

The Boom Tube is, of course, one of the central concepts of Kirby’s “Fourth World.” A series so full of ideas it was quite literally — as stated here — terrifying. Awesome wonders filled every page of some 50 or so comics, and then were gone.

What started with a Boom, quietly ended with a whimper.

And comics were never quite the same again.

©2008 DC Comics

Planet of the Apes

April 6th, 2008

Planet of the Apes #1

Planet of the Apes #1, August 1974

No prizes for guessing why I’m running this cover today. It’s a big goodbye to Charlton Heston, star of the first two Apes movies and a couple of other flawed but interesting SF films in the early ’70s: The Omega Man and Soylent Green. More famously, of course, he featured in numerous epic, often Biblical, movies throughout the ’50s and ’60s. And it’s worth mentioning he was in Orson Welles’s other great movie, A Touch of Evil — a personal favourite.

Marvel launched its magazine version of the movie series at the same time the Apes TV show was getting off the ground. All this Apes activity was apparently due to a recent showing of the first Apes film getting record ratings — a peculiarity that was later put down to bad weather keeping people indoors on that night. While the TV show only lasted a dozen or so episodes, Marvel’s magazine ran on for two and a half years, presenting comics adaptations of all five of the films alongside new material set in the same continuity.

Interestingly, rights issues meant that Charlton Heston’s likeness couldn’t be used in the adaptation, so artist George Tuska had to draw a generic astronaut as lead. Even then there was some trouble –  and some art corrections required — when the studio felt that the faces were still too much like Heston.

Anyway, a fond farewell to Charlton Heston.

Cover art by Bob Larkin

©2008 Twentieth Century Fox


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