July 2nd, 2009

Charlton was a cheap and cheerful comics publisher — with the accent on cheap. Rarely much good, its comics — mostly anthologies — kept coming month after month for the best part of forty years. The reason for that is that Charlton owned its own printing presses, and needed something to keep them running to full capacity — an idle press being an extremely costly proposition. Comics, which could be filled with plenty of material very cheaply, fit the bill nicely.
Charlton mainly made its money with music magazines, the comics were very much a secondary consideration.
By paying such low rates Charlton couldn’t hold on to its most talented creators for long, though a few (such as Steve Ditko) enjoyed the freedom that Charlton allowed. None too fussed about what went into the comics the Charlton editors pretty much waved anything through, very rarely requiring changes. After his frustrations with Marvel and DC, Ditko relished the chance to produce strips without editorial interference.
©2009 the respective copyright holder
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June 30th, 2009

Time Warp #2, January 1980
And so the 1980s arrived with a bang, heralded by this fine Mike Kaluta cover. As ever there is a lovely selection of art internally from Steve Ditko, Gil Kane, and Howard Chaykin amongst others, while the stories continue to plumb the depths familiar to anyone who’d read even a smattering of DC’s earlier SF output.
I did do love the Dollar Comic format though. Unavailable on these shores at the time — at least in the shops where I was — the adverts for them tantalised, and once I finally did manage to bag one at some seaside resort in 1979 (World’s Finest #245, if memory serves) it was as if I’d found the Holy Grail. I swear an ethereal light was shining on that thing even as the peel of a heavenly choir sounded all around…
©2009 DC Comics
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June 28th, 2009

Young Romance #158, March 1969
Proving, perhaps, that comics were indeed getting “relevant” in 1969, this cover illustrates a common conundrum for the perennially horny love-struck youth. It’s the right place, it’s the right time, and, oh boy do you need it bad, but… it’s the wrong person. Sigh.
Of course, for us lads that wouldn’t really much of an issue (”If you can’t be with the one you love, love the one you’re with, etc” I think the song goes) — but those of a more distaff disposition seem to place a great deal of emphasis on the person they’re, uh… doing it with being someone they at least find attractive.
Sadly, of course, being a comics fan, this particular scene — nor one remotely like it – has ever occurred in my life…
Not sure of the artist, but it’s nice work.
©2009 DC Comics
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June 27th, 2009

Hmmm… science or sorcery? Sorcery or science? That’s the big question ain’t it? I’m a big science freak myself, but I know there are those who prefer the charms of, say, Dr Strange, or Dr Fate, or Zatanna. Well, actually, the last one I’d be perfectly happy with — as long as she wasn’t wearing that weird lobster on her head anyway.
You can do pretty much whatever you want with science — except defeat Superman. And for that, sorcery will always come in handy.
I love the Strange Adventures run of this period: #218-236 or so. Lot’s of chunkily-sized issue chock full of premium reprints of the likes of Adam Strange, the Atomic Knights, and Star Rovers.
Brilliant. Bigger and better? Indeed they were!
©2009 DC Comics
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June 26th, 2009

Plop! #6, August 1974
Under an even odder than usual Basil Wolverton cover, the madness that is Plop! continues. Bit of a mixed bag, this one. The Sergio Aragones drawn framing sequence has a time travel theme as Cain, Abel and Eve decide to visit the future to see how big a hit Plop! will become. Unfortunately, the mad professor has thrown the wrong switch and, finding themselves in the distant past and in danger of being eaten by neanderthal folk, our heroes have to tell some stories to distract their captors.
Steve Skeates and Mike Sekowsky tell “Bits and Pieces of a Corrupt Life!” where a couple fo ne’er-do-wells reminisce about the life of a hood who has been frozen in a block of ice to wait out the Statute of Limitations on his crimes.
Then Skeates and Aragones reveal the tragedy of the “Depressed Elephant”, a story that involves murder, suicide and bearded ladies.
“The Showdown Sonata” is a three-pager written and drawn by Lee Marrs, one of the few women working in mainstream comics at that time.
Bringing up the rear is “The Uninvited Guest”, again by Skeates, this time drawn by old hand Bill Draut. It’s a lovely little three-pager that would have worked equally well on TV in Rod Serling’s Night Gallery, with which it shares a tonal similarity.

©2009 DC Comics
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June 22nd, 2009

Time Warp #1, November 1979
DC’s penultimate foray into the world of the science-fiction anthology comic wasn’t particularly distinguished. The interior art of this premiere issue was solid enough, featuring work from the pencils of Steve Ditko, Jim Aparo, Tom Sutton, Dick Girdano, Don Newton and, er… Jerry Grandinetti.
What really set the series apart was the wonderful covers by Mike Kaluta. Evocative of a bygone era, they’re never less than spectacular. There are echoes of Frank Frazetta’s approach here (most especially his Buck Rogers covers), and that can only be a good thing.
©2009 DC Comics
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June 20th, 2009

Didn’t DC do well? Not surprising, I guess, given that this coverage was printed in DC comics. ACBA was an early attempt to create talking shop/union for comic book creators, but wasn’t wildly successful as there was no consensus on just what ACBA should be or stand for (some wanted it to merely celebrate the form, while others felt it ought to campaign on behalf of creators). It did however pave the way for greater creator rights, many of which only began to be instituted once ACBA was long gone.
While it was running it presided over the annual Shazam awards, with this ad announcing the first set of winners from 1971. As you can tell, it was pretty much Green Lantern/Green Arrow’s year, with the world of comics being wowed by Denny O’Neil and Neal Adams’s ‘Hard Traveling Heroes’ arc. Nice to see the seriously under-rated Bob Oksner getting a rare moment of recognition though.
Art by Neal Adams.
©2009 DC Comics
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June 18th, 2009

Debbi’s Dates #1, May 1969
The first issue of Debbi’s Dates gets the series off to what, at first glance, looks like something of a risque start. Now just what can our heroine be doing with her other hand to elicit such a smug expression from Buddy..?
Okay, okay — cheap gag, I know. But it made me laugh.
Debbi’s Dates was the second title to feature the eponymous teen, but this one concentrated more on her would-be suitors. Lots of short, often one page, strips were the order of the day.
©2009 DC Comics
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June 17th, 2009

This really IS a wild team-up! Jerry Lewis and everyone’s favourite Amazon herself!! I don’t have this issue — I’m pretty sure it’s the only appearance of the white-clad, Emma Peel-influenced, Mike Sekowsy take on Princess Diana that I don’t own. I shall embark on a quest, one from which I’ll not rest until I have that comic in my hot little palms.
It’s Adventures of Jerry Lewis #117.
©2009 DC Comics
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June 16th, 2009

Plop! #5, June 1974
The fifth issue of the humorous horror anthology again has a framing sequence featuring Cain and Abel as they struggle to explain the concept of Plop! to the Easter Bunny, said Bunny being under the impression that all comics are for children and so he ought to be the star attraction. The horror hosts offer up several ghoulish tales with deliciously humorous twists to disabuse him of this notion — none too successfully, it has to be said.
Amongst the usual sight gags and cartoons are two longer stories. One, “The Ultimate Freedom”, is drawn by Sergio Aragones and written by “Coram Nobis”. It concerns plight of a has-been entertainer who suddenly discovers he can fly. While this at first amusues and brings him fame and fortune, it soon proves to be anything but a welcome gift!
Bernie Wrightson draws the second tale, this one scripted by George Kashdan. “Molded in Evil” tells of one Pierre Gouny, a French sculptor famous for his gargoyles. Having grown bored, Gouny has invented a magic formula tha brings a bird sculpture to life. His overbearing wife insists he goes back to making gargoyles, as that’s where the money is, but Gouny instead sculpts himslf a beautiful woman whom he intends to animate. However, his wife discovers her and smashes her to pieces. In revenge, Gouny kills his wife and hides the body inside a new gargoyle sculpture. Unfortunately, he’s made the gargoyle with his magic clay — and it comes to life and kills him!!
There’s also a wonderfully funny Superman gag by Murphy Anderson that sees Lois finally get her comeuppance for constantly baiting Clark Kent.
Cover by Basil Wolverton.

©2009 DC Comics
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