Archive for January, 2010

Plop! #9

Sunday, January 31st, 2010

Plop! #9, Jan-Feb 1975

This issue of the macabre humour comic finds our horror hosts awaiting the arrival of the kids on Halloween. Fearing the worst kind of trick, the trio offer up some stories as treats. Naturally enough, this doesn’t go down too well!

Cain recounts the cautionary tale of “The Temple of Ikka-Ka-Ka!” (written by Steve Skeates, with art by Sergio Aragones), while Eve tells of “The Killer Kind” (Jack Oleck and David Manak), wherein a scientist goes way too far in his attempts to super-evolve insects. With the kids getting restless, Abel tries “A Nose to Remember!” (Skeates, with Lee Mars) about a princess with the eponymous facial feature and a nightmarish curse.

Unimpressed, the three children wreak terrible revenge on the horror hosts. And Eve wishes she could leave the comic altogether.

Elsewhere we have the usual gag pages and fun under another Basil Wolverton cover.

©2010 DC Comics

Hot Wheels #1

Wednesday, January 27th, 2010

Hot Wheels #1, March-April 1970

Based upon the cartoon series of the same name, which was in itself based upon a range of toy cars from Mattel, Hot Wheels revved up on the newsstands at the dawn of the Seventies. With scripts by Joe Gill, and art by Alex Toth and Dick Giordano, it’s certainly a lovely-looking book. The main problem is that’s it difficult for any artist to make car chases look really exciting. The static nature of the comics page works against it.

Obviously the buying public were none too impressed: Hot Wheels bit the dust after just six — albeit glorious — issues.

Cover art by Alex Toth and Dick Giordano.

©2010 DC Comics/Mattel

DC’s Mystery Line

Sunday, January 24th, 2010

An ad from an early issue of DC’s The Witching Hour trumpeting its line of mystery comics. Not that any of the titles mentioned here were particularly new — and indeed it doesn’t even mention Witching Hour — but using the word ‘new’ in an ad is always a good start, and Joe Orlando was trying to change the books’ direction. Including Challengers of the Unknown is a little off-kilter, as the book was very much on its last legs by then, and was more super-hero-lite rather than a real mystery book.

This was the sort of thing that filled up each issue of Plop! years later.

©2010 DC Comics

The Swinger..?

Saturday, January 23rd, 2010

Young Romance #170, February-March 1971

Dick Giordano was responsible for the lovely cover adorning this issue of Young Romance. He was also the editor for just this one issue, and seems to have been attempting to bring the romance genre a little more up to date. In addition, this was one of DC’s earliest giant-sized issues before the entire line made the jump later in the year. As such, it contains not one but two (count ‘em!) tales of The Swinger. Sadly, it’s not as exciting as it sounds…

The Swinger, as is helpfully pointed out on the cover, is one Lily Martin.

In the first tale, “Love is a Swinger”, Michelle becomes afraid that she’s rushing into marriage with Dick. Unfortunately, she then witnesses the profound effect that folk singer Lily Martin has on Dick. He’s suddenly a new man, who likes dancing! “I’ve a terrible feeling she’s opened that door for Dick!” frets Michelle. She decides to return Dick’s ring. Dick, however, has other ideas. He’s gotten over his infatuation with Lily, who was merely “using [him] to try to forget some terrible secret locked in her heart!”

Michelle finally gets her hands on Dick, as Lily drives away strumming her guitar. “Love is a swinging door,” she sings, “that opens into an empty room…”

The final story in the issue, “Rise, Love, Rise”, sees Lily help out a young singer hit with terrible stage fright in front of a festival crowd. We learn that Lily’s “terrible secret” was that her boyfriend died in a car accident directly after she’d told him she was leaving. She falls for the young singer, but is haunted by her past, fearful that history will eventually repeat itself, and so, as the newly confident boy takes to the stage, she fades away.

Further adventures were promised, but Lily Martin, “the tormented girl who never stops swinging between heaven and heartbreak, between ecstasy and agony,” never swung again.

©2010 DC Comics

Comics for Every Mood

Tuesday, January 19th, 2010

An ad that does what it says on the tin. Proof positive, were any needed, that DC during the late 60s did, indeed, produce comics for every mood. Kiddie antics from the pen and imagination of Sheldon Mayer in Sugar & Spike; standard fare super-heroics with Superboy; bold war adventure with an edge in the Enemy Ace feature in Star-Spangled War Stories by Kubert and Kangher; and a tip-toe through 50′s sci-fi in From Beyond the Unknown.

Truly an embarrassment of riches!

I was pleased to see that DC are expanding their line of classic reprints to include some of the finest non-super-hero stuff ever: John Broome and Murphy Anderson’s Atomics Knights, and Joe Kubert’s Viking Prince.

©2010 DC Comics

Plop! #8

Sunday, January 17th, 2010

Plop! #8, November-December 1974

The 8th riotous issue of Plop! opens with out three heroes less than fondly recalling the time-travel shenanigans of #6. Their pal, the mad professor Savin, insists that he has fixed his time machine, so once again Cain, Abel and the Old Witch travel to the far future to discover how far their fame will spread. Unfortunately, this time they end up in the court of King Arthur!

To amuse the King, the trio tell the tales that make up the main body of the issue. Cain recounts the sorry story of a magician attempting to take a relaxing “Vacation!” (David Michelinie and Ramona Fradon), while Abel has in mind “A Likely Story”  (Steve Skeates and Sergio Aragones) that involves a great detective and his hunt for his most nefarious nemesis. The action involves a device that allows the user to step inside paintings. Finally, Eve, tells of a store with the unlikely slogan, “We’re Always Working for Your Wowweee!” (Skeates and Dave Manak) This sees a hapless employee’s various lunatic schemes to ellicit said “Wowweee!” from the store’s clients.

Needless to say, King Arthur is none too impressed, and orders Merlin to get rid of the pests.

The issue is rounded out with the usual gags.

The artistic highlight here is undoubtedly Ramona Fradon on “Vacation”, who provides her trademark fluid visuals and impeccable storytelling. Basil Wolverton’s cover has to be one of the oddest sights ever. That thing is intended to be his belly button, with its built in observatory lens, rather than some bizare genital construct…

©2010 DC Comics

Kirby’s 70s FF

Friday, January 15th, 2010

As much as I love the format, I don’t think it’s difficult to see that not much effort went into putting the tabloid comics together. This is especially true of Marvel’s regular series, Marvel Treasury Edition, which mostly consists of poorly chosen reprints thrown together between cardboard covers and printed at the larger size. Only very rarely did either Marvel or DC try brand new material, and even more rarely did they attempt to fully utilise the artistic possibilities of the larger canvas presented.

We did get newly-drawn covers though, and sometimes new art for contents pages or pin-ups. The above is the back cover for Marvel Treasury Edition #11, drawn by Jack Kirby.

Kirby, of course, had co-created the Fantastic Four back in 1961. He returned to Marvel in 1975 following a disappointing stint at DC. While he was willing to take up the reins of Captain America during Bicentennial year, and later produced a Black Panther run (and a Silver Surfer graphic novel — but more on that later), he otherwise refused all offers to work on other characters that he’d co-created during the 1960s (Steve Ditko would make much the same decision when he returned to Marvel later). He did, however, consent to producing a large number of covers during this period, many of which did feature old favourites.

©2010 Marvel Characters

Go-Go Checks!

Tuesday, January 12th, 2010

The previously discussed comic, Star Spangled War Stories #126, wasn’t just the first to feature a medal-winning gorilla sergeant, oh no. It was also one of the first to feature DC’s latest secret weapon in the sales war with the upstart company from over the road. Whereas Stan Lee’s approach was to try to appeal to the largely untapped teenage and college audience with stories set in a recognisable city, DC decided the future of comics was checkered. While events ultimately proved them right on that score, it wasn’t in the way they intended.

Pop Art was proving a popular (see what they did there?) fad, and the opinions of the likes of Andy Warhol and Roy Lichtenstein (curse his name every time you speak it) were being regularly sought on various topics, so DC embraced the movement and… added Go-Go Checks to the top of all its comics. Hmmm. Now, while this certainly made the line stand out from the competition — you could tell a DC comic from a mile off — it’s perhaps not the most aesthetically pleasing design. I don’t know what would’ve been: I’m sure a Campbell’s Soup can on every cover would’ve done the trick, but I daresay there might’ve been trademark problems.

DC must’ve felt they were doing something right however, as they were more than happy to trumpet:

This odd little dead end in comics evolution went on for just over a year before disappearing forever. So it was probably not the sales winner the publisher hoped for.

Mind you, even over at Marvel, Stan Lee wasn’t immune to the lure of the new art fad. For a few months in late-1965 Marvel Comics were adorned with a “Pop Art” logo just below the cover corner block.

©2010 DC Comics

Sgt Gorilla!

Sunday, January 10th, 2010

Star Spangled War Stories #126, April-May 1966

“You Can’t Pin a Medal on a Gorilla!”

The story called “the hairiest battle tale of the war” opens with a stage act entertaining the toops on the South Pacific. Using blanks and rubber bayonets Charlie the gorilla demonstrates his moves as a GI, much to the amusement of the assembled crowd and his owner, Sgt Pinky Donovan. As the troops return to the front, Charlie salutes them — an action Pinky never taught him.

One day Pinky is called out of the Reserves to see some real action, and, in a tear-jerking scene straight out of the worst kind of Tom Hanks movie, reluctantly leaves a caged Charlie behind.

However, several days out to sea, Donovan is amazed to find Charlie on board! For his perceived cheek, Donovan is busted down to Coporal. Charlie laughs, and gets to bunk with Donovan (no, not THAT kind of “bunk” — well not that we see anyway!)

Donovan joins an assault boat attacking a Pacific island, but the main ship — with Charlie aboard! — takes a direct hit and sinks. On the island Donovan and his fellows come under intense fire. Suddenly, Donovan is shoved out of harm’s way by a familiar hairy foot — and he watches helplessly as the gun-toting Charlie attacks a machine gun nest single-handed!

With the enemy succesfully defeated, the CO informs Donovan that he is really not happy that the gorilla has come along again — and busts Donovan down to private!!

The troops advance but come under mortar fire. Charlie leaps into action, throwing enemy snipers down fromn the tree tops. As a reward he easts some C-rations, containers and all. Refreshed, he digs the men a trench as cover. Then, as darkness falls, Charlie defends the trench from an enemy stealth attack.

The next day the Marines arrive at their main objective: a mountain top surrounded by steep cliffs. “Only an ape could climb that!” shouts one man, dejectedly. Well, luckily…

Again Charlie jumps into action. As he disappears from view, the sound of shelling fills the air. Donovan is overcome with grief, but the CO laughs: he reckons he was right about Charlie all along, and the stupid gorilla has fled. “If that buddy of yours had Marine blood in him, we could have strung a bandolier of grenades around him — and he’d be swinging up ahead of us — clearin’ the way..!”

Just then a clutch of grenades fall past their very eyes – followed by enemy soldiers! “This is a crazy time for them to practice swan dives!” thinks Donovan — who’s clearly gone barking mad — “Maybe they just slipped on a barrel of banana peels!”

As they approach the top of the cliffs, the troops are given a helping hand up by none other than Charlie, who’s once again routed the enemy all by his lonesome. And still the CO is none too impressed, “To me he looks just like a hairy ape clownin’ around in a uniform..!”

Charlie is a bit put out by this, but says nothing.

Then a massive gun atop the mountain flashes, once more threatening to sink the US fleet, but it’s too high up to reach. Donovan ties a rope around Charlie, and the gorilla hauls the entire assault force behind him as he climbs. At the top, Charlie once more comes into his own, taking on the gun emplacement armed only with his fists.

With the enemy finally defeated, and the gun destroyed, Charlie takes the initiative and plants the Stars and Stripes. “I’ve gotta admit,” says the CO reluctantly, “that big ape acted like a real Marine!”

In recognition, Charlie is awarded sergeant’s stripes — but there’s one final problem: “How in blue blazes do you pin a medal on a gorilla!”

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This frankly astonishing story, featuring the adventures of “the only non-com who escaped from a zoo to join the Marines”, was the work of Bob Kanigher and Joe Kubert. Given the somewhat bizarre nature of some of his output, the former can perhaps be excused; Kubert however…

At the time Star Spangled War Stories was home to the ongoing series of stories about The War That Time Forgot. This was set during World War 2 on an island where dinosaurs and other assorted prehistoric creatures roamed. Various military types washed up on the shores of this modern hell every issue, the battles between machine and giant reptile providing most of the action. For some reason — we can probably assume a deadline problem — the series was replaced for this one issue by the tale recounted above. On the other hand, perhaps sales were falling and so editor Kanigher decided to test Julie Schwartz’s theory that a gorilla on the cover increased sales significantly. As the dinosaurs returned next issue, and continued uninterrupted for another couple of years, we can assume the experiment didn’t work.

Kanigher is clearly writing with tongue firmly in cheek. I’m sure even he must’ve known how completely daft this whole set-up is. The running gag of Donovan being busted down a rank each time Charlie springs into action tips us the wink that this is supposed to be a comedy — but even so, this is entirely mad stuff. Kubert manfully steps up to the plate, providing his usual sterling work. Looking at these images — bizarre as it sounds — one can almost believe it. Now that takes some pulling off! In Michael Eury’s Comics Gone Ape!, Kubert, perhpas not surprisingly, claims not to remember even drawing this story.

 ©2010 DC Comics

Gorgeous Jimmy Olsen!

Friday, January 8th, 2010

Our pal Jimmy, not only can he talk the talk, he also walks the walk — and so often finds himself the target of many a man-hungry lady. Or, to use the international vernacular helpfully referenced here: chicks, birds, femmes and dolls. Who knew a pencil and a notebook could be so attractive? Perhaps it’s the freckles…

Cover to Jimmy Olsen #122, September 1969, with art by Curt Swan and Neal Adams.

©2010 DC Comics