Go-Go Checks!

January 12th, 2010

The previously discussed comic, Star Spangled War Stories #126, wasn’t just the first to feature a medal-winning gorilla sergeant, oh no. It was also one of the first to feature DC’s latest secret weapon in the sales war with the upstart company from over the road. Whereas Stan Lee’s approach was to try to appeal to the largely untapped teenage and college audience with stories set in a recognisable city, DC decided the future of comics was checkered. While events ultimately proved them right on that score, it wasn’t in the way they intended.

Pop Art was proving a popular (see what they did there?) fad, and the opinions of the likes of Andy Warhol and Roy Lichtenstein (curse his name every time you speak it) were being regularly sought on various topics, so DC embraced the movement and… added Go-Go Checks to the top of all its comics. Hmmm. Now, while this certainly made the line stand out from the competition — you could tell a DC comic from a mile off — it’s perhaps not the most aesthetically pleasing design. I don’t know what would’ve been: I’m sure a Campbell’s Soup can on every cover would’ve done the trick, but I daresay there might’ve been trademark problems.

DC must’ve felt they were doing something right however, as they were more than happy to trumpet:

This odd little dead end in comics evolution went on for just over a year before disappearing forever. So it was probably not the sales winner the publisher hoped for.

Mind you, even over at Marvel, Stan Lee wasn’t immune to the lure of the new art fad. For a few months in late-1965 Marvel Comics were adorned with a “Pop Art” logo just below the cover corner block.

©2010 DC Comics

Sgt Gorilla!

January 10th, 2010

Star Spangled War Stories #126, April-May 1966

“You Can’t Pin a Medal on a Gorilla!”

The story called “the hairiest battle tale of the war” opens with a stage act entertaining the toops on the South Pacific. Using blanks and rubber bayonets Charlie the gorilla demonstrates his moves as a GI, much to the amusement of the assembled crowd and his owner, Sgt Pinky Donovan. As the troops return to the front, Charlie salutes them — an action Pinky never taught him.

One day Pinky is called out of the Reserves to see some real action, and, in a tear-jerking scene straight out of the worst kind of Tom Hanks movie, reluctantly leaves a caged Charlie behind.

However, several days out to sea, Donovan is amazed to find Charlie on board! For his perceived cheek, Donovan is busted down to Coporal. Charlie laughs, and gets to bunk with Donovan (no, not THAT kind of “bunk” — well not that we see anyway!)

Donovan joins an assault boat attacking a Pacific island, but the main ship — with Charlie aboard! — takes a direct hit and sinks. On the island Donovan and his fellows come under intense fire. Suddenly, Donovan is shoved out of harm’s way by a familiar hairy foot — and he watches helplessly as the gun-toting Charlie attacks a machine gun nest single-handed!

With the enemy succesfully defeated, the CO informs Donovan that he is really not happy that the gorilla has come along again — and busts Donovan down to private!!

The troops advance but come under mortar fire. Charlie leaps into action, throwing enemy snipers down fromn the tree tops. As a reward he easts some C-rations, containers and all. Refreshed, he digs the men a trench as cover. Then, as darkness falls, Charlie defends the trench from an enemy stealth attack.

The next day the Marines arrive at their main objective: a mountain top surrounded by steep cliffs. “Only an ape could climb that!” shouts one man, dejectedly. Well, luckily…

Again Charlie jumps into action. As he disappears from view, the sound of shelling fills the air. Donovan is overcome with grief, but the CO laughs: he reckons he was right about Charlie all along, and the stupid gorilla has fled. “If that buddy of yours had Marine blood in him, we could have strung a bandolier of grenades around him — and he’d be swinging up ahead of us — clearin’ the way..!”

Just then a clutch of grenades fall past their very eyes – followed by enemy soldiers! “This is a crazy time for them to practice swan dives!” thinks Donovan — who’s clearly gone barking mad — “Maybe they just slipped on a barrel of banana peels!”

As they approach the top of the cliffs, the troops are given a helping hand up by none other than Charlie, who’s once again routed the enemy all by his lonesome. And still the CO is none too impressed, “To me he looks just like a hairy ape clownin’ around in a uniform..!”

Charlie is a bit put out by this, but says nothing.

Then a massive gun atop the mountain flashes, once more threatening to sink the US fleet, but it’s too high up to reach. Donovan ties a rope around Charlie, and the gorilla hauls the entire assault force behind him as he climbs. At the top, Charlie once more comes into his own, taking on the gun emplacement armed only with his fists.

With the enemy finally defeated, and the gun destroyed, Charlie takes the initiative and plants the Stars and Stripes. “I’ve gotta admit,” says the CO reluctantly, “that big ape acted like a real Marine!”

In recognition, Charlie is awarded sergeant’s stripes — but there’s one final problem: “How in blue blazes do you pin a medal on a gorilla!”

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This frankly astonishing story, featuring the adventures of “the only non-com who escaped from a zoo to join the Marines”, was the work of Bob Kanigher and Joe Kubert. Given the somewhat bizarre nature of some of his output, the former can perhaps be excused; Kubert however…

At the time Star Spangled War Stories was home to the ongoing series of stories about The War That Time Forgot. This was set during World War 2 on an island where dinosaurs and other assorted prehistoric creatures roamed. Various military types washed up on the shores of this modern hell every issue, the battles between machine and giant reptile providing most of the action. For some reason — we can probably assume a deadline problem — the series was replaced for this one issue by the tale recounted above. On the other hand, perhaps sales were falling and so editor Kanigher decided to test Julie Schwartz’s theory that a gorilla on the cover increased sales significantly. As the dinosaurs returned next issue, and continued uninterrupted for another couple of years, we can assume the experiment didn’t work.

Kanigher is clearly writing with tongue firmly in cheek. I’m sure even he must’ve known how completely daft this whole set-up is. The running gag of Donovan being busted down a rank each time Charlie springs into action tips us the wink that this is supposed to be a comedy — but even so, this is entirely mad stuff. Kubert manfully steps up to the plate, providing his usual sterling work. Looking at these images — bizarre as it sounds — one can almost believe it. Now that takes some pulling off! In Michael Eury’s Comics Gone Ape!, Kubert, perhpas not surprisingly, claims not to remember even drawing this story.

 ©2010 DC Comics

Gorgeous Jimmy Olsen!

January 8th, 2010

Our pal Jimmy, not only can he talk the talk, he also walks the walk — and so often finds himself the target of many a man-hungry lady. Or, to use the international vernacular helpfully referenced here: chicks, birds, femmes and dolls. Who knew a pencil and a notebook could be so attractive? Perhaps it’s the freckles…

Cover to Jimmy Olsen #122, September 1969, with art by Curt Swan and Neal Adams.

©2010 DC Comics

Parallels IV

January 6th, 2010

A great cover design soon becomes a classic, and maybe, possibly, eventually becomes a cliché. Still, this common design featuring the lead character distraught and carrying a fallen comrade/friend/lover always works well, and guarantees an arresting and exciting cover.

Superman’s Girl Friend, Lois Lane # 128, December 1972

Captain Action #3, February-March 1969

Ragman #4, February-March 1977

Our Army at War #167, May 1966

Art by Bob Oksner (Lois Lane), Gil Kane (Captain Action), and Joe Kubert (note that his covers are all of eleven years apart!).

This is the latest post in an occasional series looking at this staple of comic book cover design. Previous posts can be found HERE

©2010 DC Comics

It’s a Batman’s World

January 5th, 2010

A fun 1970 ad taking pains to showcase the move away from the camp image of the Caped Crusader so prevalent in the previous few years. With Denny O’Neill at the helm, and the likes of Neal Adams, Carmine Infantino, and even Frank Robbins deliniating his adventures, Bruce Wayne’s alter ego suddenly had a bright — or dark night, depending on your point of view — future.

©2010 DC Comics

Happy New Year!

January 1st, 2010

It’s here…

… the year we make contact, apparently.

Loved the movie when  it came out, though I’m not as enamoured with it these days. I prefer the book. The first film, however — which was also adapted by Marvel (by Jack Kirby, no less!) — remains my all time favourite.

Anyway, we now in the second decade of the 21st Century. Welcome to the space age!

HAPPY NEW YEAR!!

©2009 Marvel/MGM

Bye, bye 2009

December 31st, 2009

So, as we prepare to bid farewell to the first decade of the 21st Century, I can promise that the coming months will see more super-heroes, more gorillas…

More Lois Lane…

And many more monstrous comics…

Lois Lane and DC Special ©2009 DC Comics, Frankenstein and Nukla ©2009 Dell/the respective copyright holders

Large Lois

December 28th, 2009

Lois is clearly having that same trouble as so many of us at this overindulgent time of year. One or two mince pies too many, and, ooh the weight goes right to your hips! Poor Lois.

This is from Lois Lane #4, and advertises the next issue. Art by Kurt Schaffenberger.

©2009 DC Comics

Cool Yule

December 26th, 2009

Limited Collectors’ Edition #C-43

More festive fun, this time from the pencil and pen of Curt Swan and Bob Oksner

©2009 DC Comics

Merry Christmas

December 25th, 2009


DC Limited Collectors’ Edition #C-34

A tabloid favourite by Nick Cardy. Click for the full size image.

MERRY CHRISTMAS!!

©2009 DC Comics